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The ‘Wild’ concert tackles climate change through a captivating score and an iffy script

The ‘Wild’ concert tackles climate change through a captivating score and an iffy script

YDE, left, and Idina Menzel sing as daughter and mother in "Wild, a Musical Becoming" at the American Repertory Theater in Cambridge.

The show: “Wild, a Musical Becoming”

Written by: Book by V (formerly Eve Ensler); music by Justin Tranter and Caroline Pennell with contributions by Eren Cannata; lyrics by Tranter, Pennell and V; contributions by Idina Menzel; presented by American Repertory Theater

What it’s about: This concert version of a musical fable about a single mom, Bea (Tony Award winner Menzel), is the world’s premiere. She is struggling with her neighbors to keep their family farms afloat, and trying to be close to Sophia (actor/musician YDE). The Outskirtzia teens take on the company offering huge money to lease the land for unknown but presumably nefarious reasons.

YDE, left, and Idina Menzel sing as daughter and mother in "Wild, a Musical Becoming" at the American Repertory Theater in Cambridge.

It’s there, or you don’t. The multi-genre score is terrific, from the rousing opener of “Mouths to Feed” to the toe-tapping “Paradoxical Dilemma” to Bea’s anthemic “Wild” — and director Diane Paulus makes the most of this strong music with the concert style and on-stage band. However, the story is still in its infancy and will require more work as this musical progresses. Some might argue that it’s too late for subtlety about the climate change emergency, but more character development to soften the caricatures, fleshing out the starkly good vs. evil story, and a less in-your-face approach overall could make the story’s messaging more effective.

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